There is another world, and it’s this one.
- Paul Éluard
Watching NDEs on YouTube
The Consequence of Stillness
You're the Top
Milk
Mission
Chalk Outline
When the driveway collapses in a landslide the second winter in a row you sit in meditation
Jim Moore
This Happens
Astoria, Oregon
What good are hands without intent, touch without a forewound?
Poem in which I Escape from a Claw Machine
The Egret by the Exit
Wheelhouse Rock
The gods
Paul's Corner: Poetry and Podcast
A poem and reading by Andrew Schelling
What if the atmosphere is all the ancestors
“Inga” (Detail) 65 x 85” acrylic on canvas, c.2012 © Frank Galuszka Frank Galuszka is a professor of art at University of California, Santa Cruz. He received an MFA from Temple University's Tyler School of Art in 1972. He also studied at Syracuse University. From 1969 to 1970, he was a Fulbright scholar in Romania. He taught at the University of the Arts from 1974 to 1995. From 1988 to 1992, Galuszka served on the Philadelphia Art Commission. He has also served in teaching positions at Vermont College of Norwich University in Montpelier, the Studio School of Painting and Sculpture in New York, Tyler School of Art (Rome and Philadelphia) the Louisiana Tech Studies Center in Rome, the Aegean School of Fine Arts in Greece. and the University of California, Santa Cruz. His work has been shown in group exhibitions at the Pennsylvania Academy of the Fine Arts, the Philadelphia Museum of Art, and Woodmere Art Museum, among others. Find more at frankgaluszka.com
En•Trance Summer 2025
About En•Trance
We believe poetry transforms us, both in the reading and in the writing. We want to see your previously-unpublished poems about altered states! See our guidelines below.
By altered states, we do not specifically mean drug-induced experiences—though we’d love to see some poems on that topic—but rather the transmission, in poetry, of the mysterious, the fascinating, and the numinous.
Masthead
Jeremy Graves
Poetry Editor
Jeremy Graves is a bestselling co-author of The Mind Illuminated, a book on the intersection of Buddhist meditation and cognitive psychology (Simon & Schuster). His first book of poems, Hallelujah Junction, is forthcoming in 2026. His work focuses on themes related to grief, queer experience, drag, eco-poetics, and the Southwest Borderlands area. His poems have appeared in antiphony, Sundog Lit, and elsewhere. He has received grants from the Community of Writers and U.C. Berkeley and was a finalist for the 2024 Saints & Sinners Poetry Prize. The Mind Illuminated was a finalist for the Eric Hoffer Book Award and the Montaigne Medal. A doctoral candidate in clinical psychology, he lives in San Francisco. You can find him on Instagram: @jeremygraveswashere
Addie Mahmassani
Poetry Editor
Addie Mahmassani is a poet and historian originally from the East Coast and now based in the Bay Area. She holds a PhD in American Studies from Rutgers University and an MFA in Poetry from San José State University. Her first book, a feminist history of the American folk revival, is forthcoming with University of Iowa Press. She covers Arts & Entertainment for Metro Silicon Valley and other Bay Area papers. Her writing has appeared in Catamaran, Reed Magazine, Visual Anthropology Review, and other publications. In her free time, she surfs and sings.
Dion O'Reilly
Poetry Editor
Dion O'Reilly is the author of three poetry collections: Sadness of the Apex Predator, a finalist for the Steel Toe Book Prize and the Ex Ophidia Prize; Ghost Dogs, winner of The Independent Press Award for Poetry, Honorable Mention for the Eric Hoffer Poetry Award, and runner-up for the Catamaran Poetry Prize. Her third book, Limerence, was finalist for the John Pierce Chapbook Competition and is now available from Floating Bridge Press. Her work appears in Cincinnati Review, Chicago Quarterly Review, Alaska Quarterly Review, The Sun, and Rattle. She is a podcaster at The Hive Poetry Collective and splits her time between a ranch in the Santa Cruz Mountains and a residence in Bellingham, Washington.
Paul Nelson
Editor at Large
Poet/interviewer Paul E. Nelson founded the Cascadia Poetics LAB & the Cascadia Poetry Festival. Books include DaySong Miracle (Past 62) (2024); Cascadian Prophets (Interviews 1999-2023) (2024); Haibun de la Serna (2022); A Time Before Slaughter/Pig War: & Other Songs of Cascadia (2020); American Prophets (interviews 1994-2012) (2018); American Sentences (2015, 2021); A Time Before Slaughter (2009). Co-Editor of Winter in America (Again: Poets Respond to 2024 Election (2025, Carbonation Press); Cascadian Zen Volume I: Bioregional Writings on Cascadia Here and Now (2023, Watershed Press), Make it True meets Medusario (2019) (Spanish & English) and other anthologies. He’s Literary Executor for the late poet Sam Hamill and lives in Rainier Beach, alongside dxʷwuqʷeb Creek.
Roxi Power
Contributing Editor
Roxi Power is a poet, performer, and publisher. The Songs That Objects Would Sing was published in 2023. She co-edited Winter in America (Again: Poets Respond to 2024 Election (Carbonation Press, 2025) and founded the trans-genre anthology series, Viz. Inter-Arts, at the University of California, Santa Cruz where she teaches. Roxi podcasts for The Hive Poetry Collective on KSQD, Santa Cruz and performs Live Film Narration (“Neo-Benshi”) around the country. She received an AWP Intro Award and has been published in American Poetry Review, Black Warrior Review, Puerto del Sol, Seneca Review. Her MFA in Poetry is from Cornell University.
Submission Guidelines
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To submit to En•Trance, please send three previously-unpublished poems in a Word doc, the entire submission being no more than six pages
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Send to journalentrance@gmail.com with the words Submission Issue 2 Your name in the subject line. Example: Submission Issue 2 Juana Wright
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The submissions should be single-spaced, in a readable serif font like Times New Roman, with one-inch margins, and page breaks between poems.
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Please include a short bio in your Word doc, no more than 100 words, at the end of your submission after the poems.
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Simultaneous submissions are accepted, but please notify us immediately if your work is accepted elsewhere.
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We prefer shorter poems—no more than 40 lines—but are open to seeing longer ones. We are looking for diverse voices and styles but prioritize poems with strong imagery, technical skill, insight, and a touch of the unearthly. We are not afraid of difficult content.
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Please note, experimental formats are difficult to publish online. We will consider them, but they present technical difficulties with web software that may not be easily resolved.
Examples of what we mean by altered states:
We are not necessarily interested in poems about ingesting psychedelic substances, though such a poem, if done well, will be happily considered.
All the usual poetic tools apply: music, diction, syntax, insight, risk, creativity, but the main decider is this: can we feel the light touch of another world? Can we feel the lyric moment?
Here are some excerpts from other writers who embody our vision:
Underneath everything,
the skin of the world breathes.
- Bro. Yao (Hoke S. Glover)
I think I’m smelling the rain
we can smell before it rains.
It's the odor of another world, I'm convinced,
and means nothing, yet here it is, and here
sweetly it comes
from the gray sky into the small openings.
- Stephen Dunn
Oh tall tree in the ear!
-Rilke
….and everything
you dread, all you can’t bear, dissolves
and, like a needle slipped into your vein—
that sudden rush of the world.
- Ellen Bass
A world of dew,
And within every dewdrop
A world of struggle.
- Kobayashi Issa
…The universe is one rhymed thing, but I keep
wanting to rhyme with I, I—to capitalize myself, stand apart from the whole
I know I am a cloth and someday you will pull my thread,
unravel me…
- Danusha Laméris
How does one go about such a poetry? I think it’s like this: first there must be an experience, a sequence or constellation of perceptions of sufficient interest, felt by the poet intensely enough to demand of him their equivalence in words: he is brought to speech.
- Denise Levertov
Possible Topics:
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The many theories of consciousness
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Psychedelics in the sense of the word’s etymology: manifesting soul
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Defining the undefinable (as Louise Glück does in the poem “Mock Orange” or Ellen Bass in “A Small Country”)
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Mythology
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A world beyond words
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Radiance of child mind
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Being
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Hallucination
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Dreams
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Daydreams
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Kundalini
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Breathwork
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Hypnosis
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Falling in love
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Falling out of love
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The sacred in the everyday
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12-step programs
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The primary imagination
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Buddha nature
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The horizon where meaning and language meet
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The power of symbols
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Therapy
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Friendship
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Mystery
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Frank O’Hara walks into a room
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Whatever’s beyond the conscious mind
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Spirit
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Soul
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Falling apart
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Coming together
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Paying attention